1. 求一篇描述中國電影的英文文章
以下內容已補充，可以從中國香港電影說起，可以看看：）~~
If you want to know Chinese culture through movie it's better to see chinese movies.
「Sha Po Lang represents the return of Hong Kong kongfu movie』s golden age. On the second thought, it maintains and expends the Hong Kong movie』s best character.」----This is the comment of The Toronto Film Exhibition on Sha Po Lang. Maybe we also could classify it as the return of classical Hong Kong movie rather only the return of Hong Kong kongfu movie. After the period of the crazy proction of movies in the end of 1990s, many bad quality movies were made and hurt the feelings of audience, so the movie market slide into the decay. In order to increase the interest of movie, the Hong Kong movie makers went to the way of Hollywood, but they failed. What』s more, they have abandoned the classical elements of Hong Kong Movie.
In the design of kongfu, because of the attendance of three masters----Zhen Zidan, Hong Jinbao, and Wu Jin, the scenes are pleasing to both the eye and the mind. The movie inosculates the Jujutu and wrestle, at the same time the element of wushu is added to. We could say that it is a feast in vision. There are three important tussle scenes.
The discussion about social problems, the concern on the brotherliness, the stirring movie style, maybe we could say that the classical Hong Kong movie has returned. The high profit of the movie also tells us that the excellent classical Hong Kong movie still has market. Therefore, maybe it provides a hope for the re-rise of Hong Kong movie instry or a real outlet. After all, the ice age is too long.
舉例：）~~
Such as movie: The Myth
Intrepid archeologist Jack and ambitious scientist William set out on an adventure that leads them to the greatest discovery in Chinese history. Their journey starts in Dasar, India, where they stumble upon an ancient sword from the Qin Dynasty, and a magical gemstone that appears to be able to defy the force of gravity. These finds not only lead them to a mythical mausoleum, but also connects Jack to his dark past life. Through strange and provocative dreams, Jack sees himself reincarnated as Meng Yi, a general who fell for the First Emperor's beautiful consort Ok Soo some 2,000 years ago.
As Meng Yi commands his troops in an increasingly desperate war against rebels, he also has to battle his own inner desires in choosing between eternal love and loyalty. Back to the present day, where the final secret of the First Emperor is about to be revealed, as the two adventurers successfully enter the Heavenly Palace ¨C a fortress loaded with death traps and unspeakable evils. But the closer Jack comes to this precious and final truth, the more he gets lost between the past and the present. Leading cast over view: Jackie Chan .... archeologist Jack Tony Leung Ka Fai ....scientist William Kim Hee Seon ....Ok Soo Mallika Sherawat .... Princess Samantha.
2. 為什麼今天國產電影這么受歡迎 寫一篇英語作文
1. 寫作前先想好自己可能會用到的詞彙比如：國產電影Chinese film, 《你好，李煥英》 Hi Mom等；
2. 列好提綱：
（1）開頭： 談一下國產電影受歡迎的現象，可以結合《你好，李煥英》來描述。 比如：This winter vacation I watched a hit movie named Hi Mom, the box office of which soared to 5 billion. It got me thinking about rapidly developing Chinese film.
(2) 中間：主要談為什麼如此受歡迎？具體原因因人而異。下面我介紹幾點我認為的原因。
a. 經濟發展，技術提高。With the development of society and economy, Film technology is also improving with the excellent special effects and the high picture quality.
b. 明星效力。Star power is an important factor. You may follow a movie just because it has actors you like in it.
c. 電影內容。The film subject takes into account the preferences of most people.
(3) 結尾：總結一下對電影發展的希冀。The popularity of domestic films cannot be separated from the joint efforts of the country and the people.
希望可以幫您！
3. 中國電影發展史的英文介紹
An introction of the history of Chinese films in English.
中國電影發展史的英文介紹
4. 鐚╃悆宕涜搗鐨勮嫳璇褰辮瘎錛
鑳屾櫙璧勬枡錛氥婄尒鐞冨礇璧楓嬫槸緇忓吀緋誨垪縐戝夠鐢靛獎銆婁漢鐚挎槦鐞冦嬬殑鍓嶄紶錛屽畠璁茶堪浜嗙敱浜庝漢綾昏嚜璐熷艱嚧浜嗙尶鐚存櫤鍔涚殑鍙戝睍錛岀尶鏃忎笌浜虹被涔嬮棿鐖嗗彂鎴樹簤錛屼互鍙婂湴鐞冧笂鐨勪漢綾繪槸濡備綍鍦ㄥ悇縐嶈嚜縐佽嚜鍒╀笅錛屼竴姝ヤ竴姝ョ殑璧板悜鐏浜°傘婇樋鍑¤揪銆嬬殑鐗規晥鍥㈤槦涓烘湰鐗囧埗閫犲嚭浜嗕笂鐧句釜閫肩湡鐨勭尒鐚╋紝鍔犱笂鍏堣繘鐨勬棩瑙傜瓑涓嬪姩浣滄崟鎹夋妧鏈錛岃嗚夋晥鏋滅粷瀵逛護浣犻渿鎾箋
銆銆Among the trillions of binary digits skittering across screens this summer, a vibrant minority have been gathered into a shrewd, coherent, and fully felt movie. I鈥檓 speaking of the expertly crafted 鈥淩ise of the Planet of the Apes,鈥 by far the best spectacle movie of the season, and one of the few films to use digital technology for nuanced dramatic effect.
銆銆浠婂忥紝鐢辨暟浠ヤ竾浜胯＄殑浜岃繘鍒舵暟瀛椾俊鍙風粍鎴愮殑鐢佃嗚妭鐩鍏呮枼鐫鑽у睆錛屽叾涓錛屼竴灝忔挳媧昏穬鐨勪俊鍙風粍鎴愪簡涓閮ㄧ簿鑷村閥濡欙紝鎯呰妭榪炶瘡錛岃╀漢鎰熷悓韜鍙楃殑鐢靛獎銆傛垜璁茬殑灝辨槸鍒朵綔浼樿壇鐨勩婁漢鐚挎槦鐞冪殑鍏磋搗銆嬧斺旀湰瀛ｅ害鐩鍓嶄負姝㈡渶濂界湅鐨勫囪傜數褰憋紝瀹冧篃鏄涓烘暟涓嶅氱殑搴旂敤鏁扮爜鎶鏈杈懼埌緇嗚嚧鍏ュ井鎴忓墽鎬ф晥鏋滅殑鐢靛獎涔嬩竴銆
銆銆鈥淧lanet,鈥 of course, draws on the old species-reversal conceit worked out by Pierre Boulle in his 1963 novel, 鈥淟a Plan貓te des Singes,鈥漚 book that launched a cluster of movies and television shows, most notably Franklin J. Schaffner鈥檚 鈥淧lanet of the Apes鈥 (1968). In that mock epic, the manacled, nearly naked Charlton Heston is rated an interesting specimen by a variety of simian overlords.
銆銆濡備綘鎵鎯籌紝鈥滄槦鐞冣濅竴璇嶆槸鎻村紩浜嶱ierre Boulle 鍦1963騫村啓鐨勫皬璇淬婁漢鐚挎槦鐞冦嬶紝瀹冭茶堪浜嗙敱浜庝漢綾昏嚜璐熷艱嚧鐗╃嶇殑閫嗗悜榪涘寲銆傝繖鏈灝忚磋鏀圭紪鎴愪竴緋誨垪鐨勭數褰卞拰鐢佃嗚妭鐩錛屽叾涓鏈钁楀悕 鐨勬槸Franklin J. Schaffner浜1968騫存墽瀵肩殑銆婁漢鐚挎槦鐞冦嬨傜數褰變腑錛孋harlton Heston 琚縐嶇被綣佸氥佹祹嫻庝負鎮ｇ殑鐚跨尨浠淇樿檹錛屼粬鎴寸潃鑴氶暎錛岃繎涔庤丹瑁革紝騫惰鐪嬩綔鏄涓涓鏈夎叮鐨勫栫墿縐嶆爣鏈銆
銆銆The new movie draws not only on Boulle鈥檚 outrageous idea but on some of the most enringly suggestive fables we know. It begins as a benevolent version of the Frankenstein story. Will (James Franco, trying harder than usual)錛 a young genetic engineer working for a San Francisco biotech company, creates a serum that reverses brain damage. (He wants to treat his father, Charles鈥攑layed movingly by John Lithgow鈥攚ho has Alzheimer鈥檚銆) The company tests the serum on apes, one of which goes mad and has to be destroyed. But Will takes home the ape鈥檚 baby, Caesar, who has inherited his mom鈥檚 supercharged gray matter, and he and Charles raise him as a pet.
銆銆鑰屼粖騫寸殑鏂頒綔涓嶄粎浼犳壙浜咮oulle 濂囧紓楠囦漢鐨勬濊礬錛屼篃鋙嶅叆浜嗘垜浠鐔熸倝鐨勶紝鏈涔呬負嫻佷紶銆佸紩浜鴻仈鎯崇殑浼犲囨晠浜嬨傜數褰變互涓涓鍜岃皭鐨勫紬鍏拌偗鏂鍧﹀紡鐨勫満鏅寮濮嬨俉ill (James Franco楗版紨錛岃繖嬈′粬琛ㄦ紨寰楁洿鍗栧姏)錛屾槸涓浣嶅勾杞葷殑鍩哄洜宸ョ▼甯堬紝鍦ㄦ棫閲戝北鐨勪竴瀹剁敓鐗╃戞妧鍏鍙稿伐浣溿備粬鍙戞槑浜嗕竴縐嶅彲浠ラ嗚漿浜鴻剳鎹熶激鐨勮娓呫(浠栫殑鐖朵翰Chales錛岀敱John Lithgow 綺懼僵楗版紨錛屾偅鏈夐樋灝旇尐嫻烽粯姘忕棶錛學ill鎯蟲不鎰堢埗浜茬殑鐥)銆傚叕鍙哥敤榪欑嶈娓呭湪鐚跨尨韜涓婂仛瀹為獙錛岃屽叾涓鐨勪竴鍙鐤鎺変簡錛屽繀欏誨勬匯傚ソ蹇冪殑Will 灝嗗畠鐨勫╁瓙Caesar甯﹀洖浜嗗訛紝鍜岀埗浜睠hales涓璧鋒妸浠栧綋鎴愬疇鐗╁吇浜嗚搗鏉ャ
銆銆Caesar swings through the house, leaping up and down stairs and throwing himself in and out of the attic, but he sits quietly at the dinner table, too. He listens, he grunts, he eats, he makes signs. He鈥檚 a darling little ape.But there鈥檚 a joke buried in our wonderment: we all anthropomorphize our pets, finding spirit, even conscience, in beautiful collies, in cool, blue-eyed Siamese cats, in potbellied pigs. Out of affection, we see what we want to see of ourselves.But Caesar really is like us, in many ways.
銆銆Caesar緇ф壙浜嗕粬姣嶄翰鐨勫己鍋ョ殑榪愬姩浣撹川錛屾椿鍔ㄨ兘鍔涘緢寮恆備粬鍦ㄥ眿閲屼貢紿滐紝鍦ㄦゼ姊涓婅煩涓婅煩涓嬶紝鍦ㄩ榿妤奸噷韞﹁繘韞﹀嚭錛屼絾鍦ㄩ愭岃竟榪樻槸浼氬畨闈欑殑鍧愮潃銆備粬鍚浜鴻茶瘽錛屽彂鍑哄彨澹幫紝鍚冨枬涓滆タ錛岃繕浼氬仛鑲浣撹璦錛屾槸涓鍙鍙鐖辯殑灝忕尶鐚淬傚湪鎴戜滑鎯婂徆浜庡畠鐨勭伒媧葷殑鑳屽悗鍗存湁浜涜藉埡錛氭垜浠閮藉皢瀹犵墿鎷熶漢鍖栤斺旀垜浠鍦ㄦ紓浜鐨勭墽緹婄姮錛岃摑鐪肩潧鐨勬毠緗楃尗錛岃儢鑲氱毊鐨勫皬鐚韜涓婂繪壘鏌愮嶇簿紲烇紝鐢氳嚦鏄鑹蹇冿紝鑰屼笉鏄鍦ㄤ漢緹や腑鎰熷彈鍒拌繖浜涖傚嚭浜庡枩鐖憋紝鎴戜滑浠庝粬浠韜涓婄湅鍒頒簡涓浜涘湪浜虹被紺句細涓鎯崇湅鍒扮殑涓滆タ銆備絾鏄錛孋aesar 紜瀹炲湪寰堝氭柟闈涓庢垜浠寰堝儚銆
銆銆He plays and chatters like a chimp, but, like a child, he needs protection and reassurance, and then鈥攁 fellow-primate to the rescue鈥攈e rushes to the defense of Charles, his ailing 鈥済randfather,鈥 when he鈥檚 attacked by a neighbor. An empathic ape! The screenwriters, Rick Jaffa and Amanda Silver, and the director, Rupert Wyatt, create many small gestures, glances, and pauses that anchor the improbable turns of the story.At one point, Charles, confused, holds a fork by the wrong end, and Caesar slowly, gently takes it out of his hand and turns it around. The scene is ineffably, absurdly touching, the sweetest expression of family love seen in recent films.Pierre Boulle鈥檚 novel was sardonic, even maliciously satirical鈥攕cience fiction with a tickle. But 鈥淩ise of the Planet of the Apes鈥 discovers a new emotion: what you鈥檇 have to call interspecies pathos.
銆銆浠栧儚榛戠尒鐚╀竴鏍峰湴鐜╄嶃佸杻鍠冭嚜璇錛屽張鍍忓皬瀛╁瓙涓鏍烽渶瑕佷繚鎶ゅ拰瀹夋叞錛屼粬榪樻槸涓涓鑳芥彁渚涙彺鍔╃殑鐏甸暱綾誨悓鑳炩斺斿湪浠栫敓鐥呯殑鈥滅栫埗鈥滳hales鍙楀埌閭誨眳鏀誨嚮鐨勬椂鍊欙紝浠栬繀閫熷啿鍑烘潵淇濇姢Chales銆傜湡鏄涓鍙瀵屾湁鎰熸儏鐨勭尶鐚達紒鐢靛獎緙栧墽Rick Jaffa 鍜孉manda Silver,浠ュ強瀵兼紨Rupert Wyatt涓轟漢鐗╄捐′簡璁稿氱粏寰鐨勮█琛屻佺溂紲炰互鍙婂仠欏挎潵閿佸畾鏁呬簨鐨勮繘灞(鉶藉湪鐪熷疄鐢熸椿涓涓嶅お鍙鑳藉彂鐢)銆備竴澶╋紝Chales鐘鐥呬簡錛屼粬鎷胯搗鍙夊瓙鍚冮キ鍗村皢鍙夊皷鏈濈潃鑷宸便傝繖鏃禖aesar 鎱㈡參鍦拌交杞誨湴鍦板皢鍙夊瓙浠庝粬鎵嬮噷鎷胯繃鏉ワ紝鍙嶈繃澶村幓錛屽啀鏀懼洖浠栨墜蹇冦傝繖涓鍦烘櫙鏄鏃犳硶璦鍠葷殑鎰熶漢鑷蟲繁錛屽畠瀵瑰跺涵涔嬬埍鐨勮〃杈炬槸鏈榪戞墍鏈夌數褰變腑鏈璐村績鐨勩侾ierre Boulle 鐨勫師钁楁湁浜涘槻璁斤紝鐢氳嚦鏄鎮舵剰鐨勮藉埡錛屾湁涓鐐圭戝夠灝忚寸殑鍛抽亾銆傝屻婁漢鐚挎槦鐞冪殑鍏磋搗銆嬪垯鎻紺轟簡涓縐嶆柊鐨勬劅鎯咃細鐗╃嶉棿鐨勫悓鎯呯埍鎬溿
銆銆Andy Serkis, who was the emaciated, depraved, ground-hugging Gollum in the 鈥淟ord of the Rings鈥 trilogy, plays Caesar鈥攖hat is, he lends his body and face, covered with reflective markers, to image-makers who then, employing the techniques of motion capture, create a digitized simulacrum of an ape, but an ape that has unrivalled flexibility and expressiveness. The filmmakers have pulled off a stunning paradox: Caesar is much more human than an entirely digitized creation, and much more apish than an actual ape鈥攆aster, stronger, more exuberant in his knuckle-dragging, chin-thrusting, lunging glory. Caesar becomes an adolescent; hormones kick in, and he turns violent, doing bongo numbers on his enemies with his fists. At last, digital fantasy means something: we are not watching a ll-brained superhero banging off walls like a fly in a bottle; we are watching an animal with suddenly enhanced powers who still behaves recognizably like an animal. But a juiced-up ape can become something more than fun for us鈥攈e can shock us with his power, even inspire terror.There鈥檚 a premonition early in the film: when a leashed German shepherd barks at Caesar, he roars back at the dog, and then, climbing into Will鈥檚 car, surly and sad, he signs with his hands that he feels like a pet鈥攊t鈥檚 a complaint, a question, and a challenge.
銆銆Andy Serkis錛屽氨鏄銆婃寚鐜鐜嬨嬩笁閮ㄦ洸涓閭ｄ釜娑堢槮鎲旀偞銆佽厫鍖栧爼钀姐佺敓媧誨湪紺句細搴曞眰鐨凣ollum,鍦ㄦ湰鍓т腑鎵婕擟aesar銆傚艦璞¤捐″笀鐢ㄥ叿鏈夌尶鐚寸壒寰佺殑琛屽ご浠庡ご鍒拌剼瑁呮壆Andy,鐒跺悗閲囩敤鍔ㄤ綔鎹曟崏鎶鏈鍒朵綔鍑轟竴鐢靛瓙妯℃嫙鐚跨尨錛岃繖鍙鐚跨尨琛屽姩闈炲父鐏墊椿錛屼害鍠勪簬琛ㄨ揪銆傜數褰卞埗浣滀漢鎴愬姛璁捐″嚭浜咰aeser榪欎釜寮曚漢鍏ヨ儨鐨勭煕鐩懼艦璞★細涓庣函綺圭殑鐢靛瓙鍒朵綔鐗╃浉姣旓紝浠栨洿瀵屼漢鎬э紱鑰屼笌鐪熷疄鐨勭尶鐚寸浉姣旓紝浠栨洿瀵岀墿縐嶇壒鎬р斺旀寚鍏寵妭鎷栧姩鍔涗笌鍜鍤艱兘鍔涙洿寮哄ぇ錛岃屼笖綺懼姏鍏呮矝錛岃繘鏀繪у己銆傚緢蹇錛孋aesar 闀挎垚浜嗛潚灝戝勾錛岀敱浜庝綋鍐呮縺緔犵殑浣滅敤錛屼粬鍙樺緱鏆村姏璧鋒潵錛屾嫵澶村儚鏁插皬榧撲技鐨勬墦鍦ㄦ晫浜鴻韓涓娿傝繖浜涘囧欑殑鏁板瓧鍖栧獎鍍忔渶緇堟槸鎯蟲彮紺轟竴浜涢亾鐞嗭細鎴戜滑涓嶆槸鍦ㄨ傜湅涓涓鏈ㄨ剳琚嬬殑瓚呯駭鑻遍泟鍍忔病澶磋媿銛囦竴鏍峰湪鐡跺瓙閲屼貢鎾烇紝鑰屾槸涓鍙蹇界劧鑾峰緱宸ㄥぇ鍔涢噺鐨勭尶鐚達紝鍗翠粛琛ㄧ幇鐨勫儚涓鍔ㄧ墿銆備竴鍙緇欑數褰卞嶆坊綺懼僵鐨勭尶鐚村彲涓嶄粎浠呮槸涓絎戞枡錛屾兂鎯崇湅錛氫粬鍔涘ぇ鏃犳瘮錛岃凍浠ラ渿鎱戞垜浠錛岀敋鑷寵兘澶熸寫璧鋒毚鍔ㄣ傚叾瀹烇紝鍦ㄧ數褰卞紑澶村氨鐢變竴涓涓嶅お濂界殑棰勫厗錛氬綋涓鏀琚鎷寸潃鐨勫痙鍥界墽緹婄姮鏈滳aesar鐙傚悹鐨勬椂鍊欙紝Caesar鍙嶅挰鍥炲幓錛岀劧鍚庝笂浜哤ill鐨勮濺銆備粬綺楅瞾鎵撶潃鎵嬪娍錛屽硅嚜宸辨槸瀹犵墿鐨勮韓浠藉緢涓嶆弧鎰忊斺旇繖鏄鎶辨錛屾槸鐤戞儜錛屼篃鏄鎸戞垬銆
銆銆A second fable moves into place. The violent Caesar gets sent to an ape compound, where he鈥檚 forced through steel mazes, prodded, and stun-gunned. The imprisonment is unbearable: he experiences the humiliation that a mere mb animal would never feel.Gorillas, orangutans, and other chimps live with him in the compound, and Caesar quickly becomes a leader of apes. For a while, the movie turns into the latest version of 鈥淓scape from Alcatraz,鈥 reaching its climax in a single syllable, a roaring 鈥淣o!鈥濃擟aesar鈥檚 first word, a refusal that caused the audience when I saw the movie to go ape.
銆銆鎺ヤ笅鏉ワ紝絎浜屽垯浼犲囨晠浜嬪嚭鐜頒簡銆傛毚鍔涚殑Caesar琚閫佸埌涓涓鐚跨尨鍩哄湴銆傝繖涓鍩哄湴鍐呴儴琚閽㈡灦闅斿紑錛岀粨鏋勯敊緇煎嶆潅錛屼粬鍦ㄨ繖閲屽彈鍒頒綋緗氾紝鐢氳嚦浼氳鏋鏉嗘墦鏅曘傝鍥氱佺殑婊嬪懗鏄闅句互蹇嶅彈鐨勶細浠栧湪榪欓噷緇忓彈鐫緹炶頸錛屼竴縐嶅搼宸寸壊鍙ｆ案榪滄劅瑙変笉鍒扮殑緹炶頸銆傞潪媧插ぇ鐚╃尒銆佽愮尶錛岃繕鏈夊叾浠栫殑榛戠尒鐚╁拰浠栦綇鍦ㄤ竴璧鳳紝寰堝揩錛孋aesar鎴愪簡浠栦滑鐨勯栭嗐傛帴涓嬫潵錛岄暅澶磋漿鍒版渶鏂頒竴鐗堛婇冪繪伓欖斿矝銆嬬殑鐢婚潰錛孋aesar鐨勪竴澹版掑惣鈥淣o!鈥濃斺斾粬鐨勭涓鍙ヨ瘽鈥斺斿皢鐢靛獎鎺ㄥ悜楂樻疆錛岃繖涓澹版嫆緇濅篃璁╄備紬浠鍚冩儕鍦板紶澶т簡鍢達細鈥淣O錛佲濄
5. 關於介紹中國電影的英語作文
寫作思路：介紹電影類的作文可以先寫電影的介紹如導演是誰，電影是什麼類型，然後寫電影講了什麼故事，最後寫一下電影的幕後製作，具體如下：
Grand Masters is a Kung Fu movie, directed by the famous director Karwai Wong, representing the legend life of Kung Fu master, Ye Wen.
《一代宗師》是一部功夫電影，由著名導演王家衛執導，講述了功夫大師葉文的傳奇人生。
The movie stars from mainland and Hong Kong co-star in this film, attracting many movie fans』attraction.
來自內地和香港的電影明星在這部電影中聯合主演，吸引了許多影迷的注意。
Tony Leung Chiu Wai and Zhang Ziyi are the leading roles. The movie focuses on the legend stories of mutual martial arts ring the Republic of China.
梁朝偉和章子怡是主演。這部電影主要講述了民國時期兩種武術的傳奇故事。
In order to truly show the moves and spirits of the four Kung Fu branches, Wing Chun, the Eight Diagrams, Bachi and Ying Yie.
為了真正展現詠春、八卦、八極、形意這四種功夫的動作和精神。
the director Karwai Wong collected a large amount of precious materials in the period of Republic of China, visited more than one hundred descendants across the country in three years.
導演王家衛收集了大量民國時期的珍貴資料，在三年時間里走訪了全國各地的百餘位後人。
Besides, the leading roles went to learn Kung Fu for many years. As a result, we can enjoy a beautifully proced and fantastic Kung Fu movie.
另外，主角們還學了很多年功夫。因此，可以欣賞到一部製作精美、精彩絕倫的功夫片。
I watched it in the cinema, feeling it』s so great that I couldn』t describe it in language. I desperately love this film.
我在電影院看的，感覺太棒了，我無法用語言來描述它。我非常喜歡這部電影。